Georgian Chant

Resource for the study and performance of Georgian Orthodox liturgical chant

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  • Home
  • About
  • Research
  • Music
    • Archival Recordings
    • Choirs & Sites
  • Scores
  • Youtube
  • Topics
    • History
    • 8 Tone System
    • Gelati monastery style
    • Shemokmedi monastery style
    • Svetitskhoveli (Karbelashvili) style
    • Easter chant
    • Liturgy chant
    • Vespers-Matins chant
  • Articles
    • Ekvtime Kereselidze
    • Georgian Easter chant – Christ is Risen!
    • Jvarsa shensa – rare variant
    • Lord’s Prayer (Mamao Chveno)
    • Pilimon Koridze
    • Sandro Kavsadze Choir
    • Shen khar venakhi

Computational Ethnomusicology – Recordings of Artem Erkomaishvili

posted in: Easter chant, General, History, Liturgy chant, Shemokmedi monastery style, Svaneti style, Troparion 8 Tone System, Vespers-Matins chant | 0

  By way of some background, my involvement with the study of Georgian music started with a chance meeting with Meinard Müller, Professor for Semantic Audio at the University of Erlangen, at the 16th International Conference of the Society for … Read More

Artem Erkomaishvili, computational ethnomusicology, Elia lrdei, ethnomusicology, Feast day chant, German Research Foundation, larynx microphones, Liturgy chant, Meinard Müller, modal theory, Nana Mzhavanadze, overdubbing technique, Pythagorean scale, rare variant, Sebastian Rosenzweig, Shemokmedi monastery style, spectrograph, Svaneti style, tuning issues, University of Erlangen, University of Potsdam, voice crossings
https://www.youtube.com/watch?v=MR_-UqnE1G8&t=7s
Aghdgomasa shensa Anton Dumbadze Archival Recordings biblical exegesis Byzantine Dimitri Chalaganidze Easter chant Ekvtime Kereselidze ethnomusicology Evgeny Gertsman Feast day chant Gelati monastery style hagiography hymnography iconography Ivliane Tsereteli Jvarsa shensa Kakhi Rosebashvili Kriste aghdga Liturgy chant Maksime Sharadze Malkhaz Erkvanidze Mamao Chveno Matrimony service modal theory Natelo mkhiarulo ornamental variant Processional crosses Raising of the Cross feast day rare variant Razhden Khundadze Sandro Kavsadze Choir Shemokmedi monastery style Svaneti style Svetitskhoveli style tetrachords Theotokion Thrice-holy Trisagion hymn Troparion tone 5 Troparion tone 6 Tsmindao ghmerto tuning issues voice crossings Yuri Kholopov

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Recent Posts

  • One Old Georgian Musical Term (Mortuleba)
  • The Georgian Modal System
  • Trisagion Hymn – East Syriac and Georgian connections
  • Computational Ethnomusicology – Recordings of Artem Erkomaishvili
  • Trisagion Hymn – Musical Analysis

Categories

  • 8 Tone System
    • Heirmos 8 Tone System
    • Kondakion 8 Tone System
    • Troparion 8 Tone System
  • Regional style
    • Gelati monastery style
    • Shemokmedi monastery style
    • Svetitskhoveli (Karbelashvili) style
    • Svaneti style
  • Service type
    • Liturgy chant
    • Vespers-Matins chant
    • Easter chant
  • HistoryThe history of Georgian chant is rich in incredible biographical stories of figures who were chanters, transcribers, supporters, publishers, and in the end, those that risked their lives to save the manuscripts from destruction.

Site Map

  • Home
  • About
  • Research
  • Music
    • Archival Recordings
    • Choirs & Sites
  • Scores
  • Youtube
  • Topics
    • History
    • 8 Tone System
    • Gelati monastery style
    • Shemokmedi monastery style
    • Svetitskhoveli (Karbelashvili) style
    • Easter chant
    • Liturgy chant
    • Vespers-Matins chant
  • Articles
    • Ekvtime Kereselidze
    • Georgian Easter chant – Christ is Risen!
    • Jvarsa shensa – rare variant
    • Lord’s Prayer (Mamao Chveno)
    • Pilimon Koridze
    • Sandro Kavsadze Choir
    • Shen khar venakhi

Contact

John A. Graham

georgianchantorg [at] gmail.com

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